The Deli NYC - All about the New York City Indie Rock, Folk and Other Music Scenes! + Online Music Charts
Podcast, NEW YORK CITY's INDIE ROCK MAGAZINE, NEW YORK CITY ROCK MAGAZINE, NEW YORK CITY ROCK SCENE, ROCK FROM nyc, ROCK FROM NEW YORK CITY, NEW YORK CITY ROCK, ROCK IN NEW YORK CITY, NYC INDIE ROCK BANDS FROM NEW YORK, BEST BANDS FROM NYC
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TOP 20 electronic
TOP 20 hip hop
TOP 20 indie pop
indie pop,
britpop, lo fi
orchestral pop,
lounge pop, mellow core
TOP 20 indie
avant indie,
post rock
indie rock
post punk,
noise rock
TOP 20 metal
TOP 20 psych
psych rock
shoegaze
TOP 20 rock
alt rock, power pop, emo
garage, punk, glam + other revivals
TOP 20 rootsy
alt folk, alt soul,
rootsy pop
songwriters

This is an obsolete Deli address! Go to nyc.thedelimagazine.com

Hi,

This is The Deli NYC's old homepage, which we are not using anymore. The Deli's website about the NYC Music Scene can now be found here.

Thanks!

The Deli Staff.

Published on Mon, 23 Nov 2009 17:57:03 0 Comments | Post a Comment
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pic
Amazing Baby
all grown up
by Chloe Schildhause - MORE
Phenomenal Handclap Band
funk driven disco lovely
by Chloe Schildhause - MORE
La Otracina
crystal wizards of the cosmic weird
by Justin Husher - MORE
Lowry
more than someone else's something
by Debra D’Agostino - MORE

Glass Ghost
"Idol Omen"
mp3!!

Glass Ghost’s music is like a raging party for the ears. The catchy, unique tunes are derived from a good mix of influences such as Pit Er Pat, Clap Your Hands Say Yeah and J Dilla. Featuring Eliot Krimsky and Mike Johnson of the experimental pop band Flying, Glass Ghost inherited pop hooks from its musical lineage while adding fresh hip hop beats to create a captivating blend of genres. Perhaps Glass Ghost’s wide appeal can be attributed to the members’ experiences performing at atypical venues such as clothing stores, community centers and weddings. On “Idol Omens,” the duo invited some of New York’s finest to round out the album, including Sharon Van Etten, Luke Temple and Joan Wasser. The record showcases the band’s flexibility in writing a delectable variety of tempos and styles. In “The Same,” a song about the monotony of routine, the band creates a massive aural feast complete with key-mashing, dramatic organ, horns, funky beats, handclaps, samples, vocal harmonies and Krimsky’s peculiar falsetto conducting the opus. Even when the music is stripped down and pulled back, there are still charming nuances that entice the pickiest of ears. - Nancy Chow - website

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